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Trailer Review: <em>Brave</em>

Trailer Review: Brave

Pixar has developed a nasty habit of doing no wrong. Sure, we didn't care much for Cars, and we're still holding a grudge on them for the cease-and-desist they placed on DMA Design and Nintendo for Uniracers (quite possibly the greatest videogame ever made about showboating anthropomorphic unicycles), but Pixar are still arguably one of—if not the—most genuinely good and consistently admirable studios in American entertainment. Pretty much ...

Trailer Review: <em>The Muppets</em>

Trailer Review: The Muppets

It's time to play the music.

It's time to light the lights.

Hey guys, did you know there's a new Muppet movie coming out this year? There's totally a new Muppet movie coming out this year. Remember the Muppets? I'm not talking about the god-awful made-for-tv Muppets' Wizard of Oz – I mean really, remember the Muppets? The original "The Muppet Show" was genuine cutting edge variety entertainment for adults that ...

Trailer Review: <em>Thor</em>

Trailer Review: Thor

Kenneth Branagh is best known for his Shakespearean films. The undisputed crown jewel of his career to date is 1996's Hamlet, noteworthy for its length (over four hours as the entire original Shakespeare script was unabridged), cast (Robin Williams, Billy Crystal, Kate Winslet, Gérard Depardieu and others were all paid scale), and film format (the final picture to date shot on traditional 70mm film). More than any other Shakespeare ...

Pixar Campaigns for Best Picture

Pixar Campaigns for Best Picture

Toy Story 3 was a long time coming. A major point of the Disney/Pixar feud earlier this decade, Toy Story 3 was originally set to be developed by Disney's new studio, Circle 7. When Pixar was bought by Disney and John Lasseter was named chief creative officer of Disney Animation Studios in 2006, Circle 7 was shut down and Toy Story 3 completely scrapped and rebuilt from the ground up by its original creators at ...

Trailer Review: <em>Winnie the Pooh</em>

Trailer Review: Winnie the Pooh

I took a semester of traditional animation in college. The instructor was a former feature animator for Walt Disney, as evidenced by his collection of leather jackets with the logos of films like Mulan and Lilo & Stitch across their backs. Once a week, as inspirational reference, Disney features would play on a screen in the corner at one-quarter speed, granting a very informative new perspective on films like the ...